NEW REPORT: AI and Gender: Four Proposals for Future Research

Screen Shot 2019-09-22 at 21.35.19Back in February 2019, I organised a workshop on ‘AI and Gender’, held by the Leverhulme Centre for the Future of Intelligence, co-convened with the Ada Lovelance Institute, and supported by PwC. The workshop was trans-disciplinary and trans-sectoral. It gathered together scholars from a wide range of academic fields, including computer science, history, philosophy of science, law, politics, sociology, literature, and gender studies. In addition, it brought together researchers and practitioners from industry and research centres outside of academic, as well as key figures from UK AI governance and policy. Over the course of day, seventeen 10-minute talks created a wide and detailed picture of the cutting edge of current research and initiatives into AI and gender. They also created some agreement, some disagreement, a lot of conversation, and a quite phenomenal buzz.

We took advantage of that communal energy at the end of the day when, led by my research assistant Clementine Collett, we invited our participants to take part in a collective intelligence exercise. The challenge was to come up with at least three recommendations for new areas of research concerning AI and gender. The result was our report: ‘AI and Gender: Four Proposals for Future Research‘, which develops and augments the ideas shared during this exercise by drawing on content from the workshop presentations, questions, and discussions, as well as from a broad range of wider literature and research.

The report outlines four of the weightiest challenges to gender equality presented by recent developments in artificial intelligence (AI). In tandem, it outlines four research proposals which would effectively tackle these issues. The proposals are not intended to be prescriptive, but rather, provocative. The report aspires to use these proposals as a mechanism to raise awareness, summarise the current challenges, and prompt practical action. As we continue to see rapid development of AI systems, now is the moment to address the challenges which AI presents to gender equality. It scopes and situates current research and interventions, identifies where further research and intervention is required, and acts as a call to action to tackle issues of injustice.

We launched the report at CogX 2019 with a talk by Clemi and myself, followed by a panel discussion on AI and Gender. A video recording of the Cog X events can be seen here.

AI: Fact vs Fiction with Ian McEwan and Murray Shanahan at The Barbican

downloadI’ve been cutting back on my public work lately in order to focus more on my academic research and writing, but when the Barbican asked if I’d like to host an event on AI: Fact vs Fiction with Ian McEwan and Murray Shanahan I couldn’t say no. I’d just finished McEwan’s new novel, Machines Like Me, and have known and respected Murray for many years now.

The event was part of a range of public activities taking place around the Barbican’s AI: More Than Human exhibition, and part of McEwan’s public events promoting the publication of the new novel. The evening wasn’t focused on the novel and I’ll save my views on it, and on McEwan’s comments on SF in interview about it, for another post. Rather, that evening we were focused on exploring the history of our AI imaginings and their relation to the actual science. The podcast of the discussion is available here.

Final Literary Pursuit for Me: Golding’s Lord of the Flies

download-1The eighth episode of my documentary series Literary Pursuits aired this weekend on BBC Radio 3 and can be heard again here. It tells the story of how Golding’s Lord of the Flies made it off the reject pile at Faber and Faber into becoming one of the most iconic novels of the twentieth century. It was incredibly special to interview Golding’s daughter Judy Carver, and to see Golding’s journals, which very few people have ever had access to. In fact, all my interviewees were just wonderful for this programme, the story came easily, and it was, as always, a total pleasure to work with my producer Sara Conkey. The story itself, unexpectedly for us, ended up in fact being rather sad. Which made it even more poignant that this was the final episode of Literary Pursuits Sara and I are to make together. Researching, writing and recording these programmes over the past four years has been a joyous experience. I have learnt so much, both about the novels we worked on and their stories, and about how to make compelling radio documentaries whilst staying true to my scholarly values. I have travelled across Britain, and across the channel, and have conducted interviews I will never forget – sitting with Diana Athill as she shared her memories of Jean Rhys and the journey to publication of Wide Sargasso Sea is perhaps the greatest of the many privileges and pleasures that making this series has afforded. Unfortunately, Literary Pursuits has also required a huge amount of time and creative energy, both of which I now wish to devote more exclusively to my academic work, and to my family. It was a hard decision to stand down as writer and presenter, but I hope that people will still listen to the eight episodes we made and take as much pleasure and knowledge from them in the listening as we gained in the making.